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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>ESTREMOZ (ML) Capela Rainha Santa (Águas que se apartam)</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>ESTREMOZ (Capela Rainha Santa) Vista da parede lateral e da entrada</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Representações</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A iconografia isabelina é um património artístico riquíssimo no domínio da escultura, da gravura, da pintura e do azulejo, com início ainda em vida da rainha, com a estátua jacente do túmulo gótico que ela própria mandou construir. Remonta, no entanto, à data da sua beatificação em 1520, o início de um importante ciclo iconográfico, que tem representações em todos os períodos e estilos artísticos até aos nossos dias, constituindo um património cultural cuja falta de estudo é uma lacuna grave que urge preencher.</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Milagre das águas do Tejo que se apartam - Estremoz  </text>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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              <text>Azulejo figurativo</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Em primeiro plano, ao centro da composição, a rainha D. Isabel, envergando o hábito de clarissa e a coroa real, ajoelha perante o túmulo de Santa Iria rodeada por um pequeno grupo de populares. À sua volta as águas do Tejo, erguidas em volutas suspendem o seu movimento descobrindo o leito do rio e o túmulo da virgem martir. Na margem, um fidalgo, provavelmente D. Dinis, acompanhado de uma dama e de um pagem, observa a cena. Uma paisagem campestre limitada por montes despidos de vegetação com um pequeno conjunto de casas e filas de árvores e sebes, serve de cenário.</text>
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          <name>Coverage</name>
          <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <text>Parede da Epístola da Capela da Rainha Santa Isabel do Castelo de Estremoz.</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Teotónio dos Santos (Atribuição de José Meco)</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>Cerca de 1725</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Milagre das águas do Tejo que se apartam</text>
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          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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              <text>Maria de Lourdes Cidraes</text>
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          <name>Contributor</name>
          <description>An entity responsible for making contributions to the resource</description>
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              <text>Fotografias de António Vieira</text>
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      <name>Modelo franciscano</name>
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